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	<title>Mohsen Bchir &#8211; TASAWAR</title>
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	<title>Mohsen Bchir &#8211; TASAWAR</title>
	<link>https://2020.tasawar.net</link>
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		<title>Sebastião Salgado</title>
		<link>https://2020.tasawar.net/sebastiao-salgado/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 12 Nov 2020 09:04:29 +0000</pubDate>
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		<category><![CDATA[Artist]]></category>
		<guid isPermaLink="false">https://2020.tasawar.net/?p=1177</guid>

					<description><![CDATA[ARTFORMS  Photography , film.  &#160; MATERIALS &#124; MEDIA  Hybrid Photographs, Video, Documentary &#160; GUIDING INTEREST  Being raised on a farm,  Salgado ‘s photography is heavily influenced by his childhood and by his appreciation to the land. Before pursuing a career as a photojournalist with magnum photography, he worked initially as an Economist. His academic background [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><b>ARTFORMS</b></p>
<p><span style="font-weight: 400;"> Photography , film. </span></p>
<p>&nbsp;</p>
<p><b>MATERIALS | MEDIA</b></p>
<p><span style="font-weight: 400;"> Hybrid Photographs, Video, Documentary</span></p>
<p>&nbsp;</p>
<p><b>GUIDING INTEREST</b></p>
<p><span style="font-weight: 400;"> Being raised on a farm,  Salgado ‘s photography is heavily influenced by his childhood and by his appreciation to the land. Before pursuing a career as a photojournalist with magnum photography, he worked initially as an Economist. His academic background is a key factor in his choice of theme of labor , migration and human-land interactions.. His Black and white, grainy rendering with large scale perspective , repositioned documentary photography as a potential form of art photography. He is an avid environmental activist and a leading figure against deforestation of the Amazonian forest. </span></p>
<p>&nbsp;</p>
<p><b>QUOTES</b></p>
<p><span style="font-weight: 400;">“I discovered that close to half the planet is ‘pristine.’ We live in towns such as London, Paris or Sao Paulo and have the impression that all the pristine areas are gone, but they are not.”</span></p>
<p><span style="font-weight: 400;">URL:</span><a href="https://www.johnpaulcaponigro.com/blog/13998/36-quotes-by-photographer-sebasiao-salgado/"><span style="font-weight: 400;">https://www.johnpaulcaponigro.com/blog/13998/36-quotes-by-photographer-sebasiao-salgado/</span></a><span style="font-weight: 400;"> &gt;October 10, 2020</span></p>
<p><span style="font-weight: 400;">“Photography is not objective. It is deeply subjective – my photography is consistent ideologically and ethically with the person I am.. You photograph with your ideology.”</span></p>
<p><span style="font-weight: 400;">URL:</span><a href="https://2020.tasawar.net/sebastiao-salgado/"><span style="font-weight: 400;">https://www.johnpaulcaponigro.com/blog/13998/36-quotes-by-photographer-sebasiao-salgado/</span></a><span style="font-weight: 400;"> &gt;October 10, 2020</span></p>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">“You should have a good knowledge of history, of geopolitics, of sociology and anthropology to understand the society that we’re part of and to understand yourself and where you’re from in order to make choices. A lack of this knowledge will be much more limiting than any technical ability.”</span></p>
<p><span style="font-weight: 400;">URL:</span><a href="https://www.johnpaulcaponigro.com/blog/13998/36-quotes-by-photographer-sebasiao-salgado/"><span style="font-weight: 400;">https://www.johnpaulcaponigro.com/blog/13998/36-quotes-by-photographer-sebasiao-salgado/</span></a><span style="font-weight: 400;"> &gt;October 10, 2020</span></p>
<p>&nbsp;</p>
<p><b>BIO</b></p>
<p><span style="font-weight: 400;">Lives in Brazil and France. </span></p>
<p><span style="font-weight: 400;">Travelled to more than 120 countries.</span></p>
<p><span style="font-weight: 400;">1944| Born in Aimores (Brazil). </span></p>
<p>&nbsp;</p>
<p><b>FORMATION </b></p>
<p><span style="font-weight: 400;">1969| ENSAE ParisTech | Agricultural Economy Phd</span></p>
<p><span style="font-weight: 400;">1965| University of Sao Paulo &#8211; Master of Economy</span></p>
<p>&nbsp;</p>
<p><b>PUBLICATIONS</b></p>
<p><b>2010</b><span style="font-weight: 400;"> |Genesis (avec Lélia Wanick Salgado), </span><span style="font-weight: 400;">Taschen</span><span style="font-weight: 400;"> France, Paris, 2013</span></p>
<p><span style="font-weight: 400;">De ma terre à la Terre (avec Isabelle Francq), </span><span style="font-weight: 400;">Plon</span><span style="font-weight: 400;">, Paris , 2013</span></p>
<p><span style="font-weight: 400;">Terres de café, Éditions de La Martinière, France, 2015</span></p>
<p><span style="font-weight: 400;">Gold, Taschen, 2019.</span></p>
<p><b>2000</b><span style="font-weight: 400;"> | Exodus, Éditions de La Martinière, Paris, 2000</span></p>
<p><span style="font-weight: 400;">The End of Polio : A Global Effort to End a Disease, Bulfinch, 2003</span></p>
<p><span style="font-weight: 400;">L&#8217;homme et l&#8217;eau, Éditions Terre Bleue, Paris, 2005</span></p>
<p><span style="font-weight: 400;">Africa (avec </span><span style="font-weight: 400;">Mia Couto</span><span style="font-weight: 400;"> et Lélia Wanick Salgado), </span><span style="font-weight: 400;">Taschen</span><span style="font-weight: 400;"> France, Paris, 2007</span></p>
<p><b>1990</b><span style="font-weight: 400;"> |La Main de l&#8217;Homme, </span><span style="font-weight: 400;">Éditions de La Martinière</span><span style="font-weight: 400;">, France, 1993</span></p>
<p><span style="font-weight: 400;">La mine d&#8217;or de Serra Pelada, Galerie Debret, Paris, 1994</span></p>
<p><span style="font-weight: 400;">Terra, Éditions de La Martinière, France, 1997</span></p>
<p><b>1980 </b><span style="font-weight: 400;">| Les Hmongs, </span><span style="font-weight: 400;">Médecins sans frontières</span><span style="font-weight: 400;">, Chêne/Hachette, Paris, 1982</span></p>
<p><span style="font-weight: 400;">Autres Amériques, Contrejour, 1986</span></p>
<p><span style="font-weight: 400;">Sahel : l&#8217;Homme en Détresse, Prisma Presse et Centre national de la photographie, pour </span><span style="font-weight: 400;">Médecins sans frontières</span><span style="font-weight: 400;">, France, 1986</span></p>
<p>&nbsp;</p>
<p><b>AWARDS</b><span style="font-weight: 400;"> Selection </span></p>
<p><span style="font-weight: 400;">2019: Peace Prize of the German Book Trade</span></p>
<p><span style="font-weight: 400;">2007: M2-El Mundo People’s Choice Award for best exhibition a </span><span style="font-weight: 400;">PhotoEspaña</span><span style="font-weight: 400;">, for </span><i><span style="font-weight: 400;">Africa</span></i></p>
<p><span style="font-weight: 400;">2003: International Award from the Photographic Society of Japan</span></p>
<p><span style="font-weight: 400;">1998: Prince of Asturias Awards, Arts category</span></p>
<p><span style="font-weight: 400;">1994: Grand Prix National French Ministry of Culture, </span><span style="font-weight: 400;">Ministry of </span><span style="font-weight: 400;">Culture</span><span style="font-weight: 400;"> (</span><span style="font-weight: 400;">France</span><a href="https://en.wikipedia.org/wiki/Ministry_of_Culture_(France)"><span style="font-weight: 400;">)</span></a></p>
<p><span style="font-weight: 400;">1993: Centenary Medal from the Royal Photographic Society</span></p>
<p><span style="font-weight: 400;">1993: Honorary Fellowship (HonFRPS) from the Royal Photographic Society</span></p>
<p><span style="font-weight: 400;">1992: Oskar Barnack Award</span></p>
<p><span style="font-weight: 400;">1992: Foreign Honorary Member of the American Academy of Arts and Sciences</span></p>
<p><span style="font-weight: 400;">1989: </span><span style="font-weight: 400;">Hasselblad Award</span><span style="font-weight: 400;">, </span><span style="font-weight: 400;">Hasselblad Foundation</span><span style="font-weight: 400;">, Gothenburg, Sweden</span></p>
<p><span style="font-weight: 400;">1988: King of Spain International Journalism Award</span></p>
<p><span style="font-weight: 400;">1985: Oskar Barnack Award</span></p>
<p><span style="font-weight: 400;">1982: W. Eugene Smith Grant from the W. Eugene Smith Memorial Fund</span></p>
<p>&nbsp;</p>
<p><b>Example of Artworks </b></p>
<p>&nbsp;</p>
<figure id="attachment_1206" aria-describedby="caption-attachment-1206" style="width: 705px" class="wp-caption alignnone"><img fetchpriority="high" decoding="async" class="wp-image-1206" src="https://2020.tasawar.net/wp-content/uploads/2020/11/wdg_event_image-300x219.jpg" alt="" width="705" height="516" srcset="https://2020.tasawar.net/wp-content/uploads/2020/11/wdg_event_image-300x219.jpg 300w, https://2020.tasawar.net/wp-content/uploads/2020/11/wdg_event_image-768x562.jpg 768w, https://2020.tasawar.net/wp-content/uploads/2020/11/wdg_event_image.jpg 800w" sizes="(max-width: 705px) 100vw, 705px" /><figcaption id="caption-attachment-1206" class="wp-caption-text">Sebastião Salgado &#8211; Genesis photo-book 2013</figcaption></figure>
<figure id="attachment_1207" aria-describedby="caption-attachment-1207" style="width: 707px" class="wp-caption alignnone"><img decoding="async" class="wp-image-1207" style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; font-size: 16px;" src="https://2020.tasawar.net/wp-content/uploads/2020/11/d58d7cd9a8b20fd785de517284091b72-300x208.jpg" alt="" width="707" height="490" /><figcaption id="caption-attachment-1207" class="wp-caption-text">Sebastião Salgado &#8211; Kuwait photo-book 1991</figcaption></figure>
<figure id="attachment_1209" aria-describedby="caption-attachment-1209" style="width: 707px" class="wp-caption alignnone"><img decoding="async" class="wp-image-1209" src="https://2020.tasawar.net/wp-content/uploads/2020/11/14-1-13523-300x200.jpg" alt="" width="707" height="472" srcset="https://2020.tasawar.net/wp-content/uploads/2020/11/14-1-13523-300x200.jpg 300w, https://2020.tasawar.net/wp-content/uploads/2020/11/14-1-13523-1024x683.jpg 1024w, https://2020.tasawar.net/wp-content/uploads/2020/11/14-1-13523-768x512.jpg 768w, https://2020.tasawar.net/wp-content/uploads/2020/11/14-1-13523-1536x1024.jpg 1536w, https://2020.tasawar.net/wp-content/uploads/2020/11/14-1-13523-2048x1366.jpg 2048w" sizes="(max-width: 707px) 100vw, 707px" /><figcaption id="caption-attachment-1209" class="wp-caption-text">Sebastião Salgado &#8211; Amazonia works &#8211; 2019</figcaption></figure>
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		<item>
		<title>Mohsen Bchir</title>
		<link>https://2020.tasawar.net/mohsen-bchir-2/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 01 Oct 2020 16:47:31 +0000</pubDate>
				<category><![CDATA[Participant]]></category>
		<guid isPermaLink="false">https://2020.tasawar.net/?p=302</guid>

					<description><![CDATA[Mohsen Bchir  ARTFORM Photography, videography, performance  MATERIAL  Photographs, Video, Lab Equipment. GUIDING INTEREST  Being a Biology engineer and a student activist, thematically, Mohsen is focused on better understanding his environment and its complex micro and macro interactions connecting humans to their land and to each others in the global context. Following approaches of modern storytelling [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><span style="font-size: 14pt;"><b>Mohsen Bchir</b><b> </b></span></p>
<p><b>ARTFORM</b></p>
<p><span style="font-weight: 400;">Photography, videography, performance </span></p>
<p><b>MATERIAL</b><span style="font-weight: 400;"> </span></p>
<p><span style="font-weight: 400;">Photographs, Video, Lab Equipment.</span></p>
<p><b>GUIDING INTEREST</b><span style="font-weight: 400;"> </span></p>
<p><span style="font-weight: 400;">Being a Biology engineer and a student activist, thematically, Mohsen is focused on better understanding his environment and its complex micro and macro interactions connecting humans to their land and to each others in the global context. Following approaches of modern storytelling and documentary, he tends to work in series using primarily yet not exclusively lens-based media.</span></p>
<p><b>BIO</b></p>
<p>Lived in Tunisia and USA.</p>
<p><span style="font-weight: 400;">1993 | Born in Tunis (TN) </span></p>
<p><b>FORMATION </b></p>
<p><span style="font-weight: 400;">2018 | National Institute of Applied Sciences And Technology | National Engineering Diploma (Industrial Biology Engineering ) </span></p>
<p><span style="font-weight: 400;">2020 | Washington State University | Master of Fine Arts (Photography, Videography)</span></p>
<p><b>EXHIBITIONS</b></p>
<p><i><span style="font-weight: 400;">03-2020 </span></i><span style="font-weight: 400;">: </span><b>MFA Thesis Exhibition </b><span style="font-weight: 400;">: MICROBIOTA : AN EVIDENCE OF SYMBIOSIS Gallery 2, Fine Arts Center at WSU, Pullman.</span></p>
<p><i><span style="font-weight: 400;">10-2019 </span></i><span style="font-weight: 400;">: </span><b>Group Pop-up exhibition </b><span style="font-weight: 400;">: TRI-BUTTE Gallery 2, Fine Arts Center at WSU, Pullman.</span></p>
<p><i><span style="font-weight: 400;">04-2019 : </span></i><b>First year exhibition </b><span style="font-weight: 400;">: It ‘S OKAY NOT TO UNDERSTAND . Gallery 2, Fine Arts Center at WSU, Pullman.</span></p>
<p><i><span style="font-weight: 400;">10-2019 </span></i><span style="font-weight: 400;">: </span><b>Group Pop-up exhibition </b><span style="font-weight: 400;">: RITES / RITUALS Gallery 2, Fine Arts Center at WSU, Pullman. </span></p>
<p><b>AWARDS </b></p>
<p><span style="font-weight: 400;">2018 |  USA- </span><b>Fulbright Scholarship</b><span style="font-weight: 400;"> </span></p>
<p><span style="font-weight: 400;">2019 | USA-</span><b>John Ludwig graduate fellowship </b><span style="font-weight: 400;">in fine arts.</span></p>
<p>&nbsp;</p>
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